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[86P]⇒ Descargar Free Smoked Blood and Lavender Diana Elizondo Books

Smoked Blood and Lavender Diana Elizondo Books



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Download PDF  Smoked Blood and Lavender Diana Elizondo Books

At the dark edge of all we experience, in the hidden corners of life and love, work and play, something bittersweet and sinister roils and swirls, a scent of fading flowers and tangy corruption. Join poet Diana Elizondo as she takes you on a tour through moonlit shadows toward the ruins that smolder silent in the human heart. In her verse you will find that winding trail amid the darkling trees, marked only by wreaths of smoked blood and lavender.

Smoked Blood and Lavender Diana Elizondo Books

The book's cover suggests a gothic edginess, which does seem to run through the majority of these poems. While this added to the allure that I found in this volume by a poet from my own area of southernmost Texas, this relatively brief collection also further confirmed that modern verse doesn't necessarily have to escape my comprehension, despite my past difficulties with poetry in general. For me, "Maria" (p. 29) is easily the best, and immediately won me over with its imagery of an endeared and missed grandmother.

Other samples: "The Way You Love Me" (p. 12) is a disturbing ode to machismo. "The Grackle" (p. 17) is more like a short essay, contrasting the eponymous bird to the symbolically ominous raven. "What's Happened So Far" (p. 30) also breaks away from the typical format of stanzas, listing highlights in the narrator's life from 1996 through 2013. "The Black Dogs" (p. 54) is a dark allegory on undocumented immigrants. "Before I Paint" (p. 60) offers a highly morbid turn on an artist meeting the model.

I'll admit that at least four out of a little more than fifty poems eluded my grasp, and that would amount to my only critique. A number of these poems have appeared in prior publications; among these are two additional favorites of mine: "Their Reign Ends" (p. 49) -- this is told from the perspective of the species that survives the next K/T extinction-level event. "Chatty Skeletons" (p. 71) -- this describes the Xicano observance of the Day of the Dead… from the perspective of the dead!

Product details

  • Paperback 104 pages
  • Publisher FlowerSong Books (January 24, 2017)
  • Language English
  • ISBN-10 0692411453

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Tags : Amazon.com: Smoked Blood and Lavender (9780692411452): Diana Elizondo: Books,Diana Elizondo,Smoked Blood and Lavender,FlowerSong Books,0692411453,POETRY Women Authors
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Smoked Blood and Lavender Diana Elizondo Books Reviews


Unique.. dark.. and different.. a must read and a must buy!
A Latina with a very unique voice and poetic sensibility. Highly recommended.
I have been fortunate to hear Diana Elizondo perform her work on several occasions, and her style has always set her apart, within the vibrant poetic community of her native Texas/Mexico border region.
Elizondo's debut collection showcases her dark motif, but goes deeper...pieces like "Limbo" and "Bleached Blood" shake the reader with their honesty, without falling into the cliche of "confessional poetry". This poet is about more than black clothing and macabre imagery. Read her work, listen to her validity, understand her influences.

I am grateful to Flowersong Books for publishing this collection and presenting Diana's work to larger audiences. Order your copy today.
The book's cover suggests a gothic edginess, which does seem to run through the majority of these poems. While this added to the allure that I found in this volume by a poet from my own area of southernmost Texas, this relatively brief collection also further confirmed that modern verse doesn't necessarily have to escape my comprehension, despite my past difficulties with poetry in general. For me, "Maria" (p. 29) is easily the best, and immediately won me over with its imagery of an endeared and missed grandmother.

Other samples "The Way You Love Me" (p. 12) is a disturbing ode to machismo. "The Grackle" (p. 17) is more like a short essay, contrasting the eponymous bird to the symbolically ominous raven. "What's Happened So Far" (p. 30) also breaks away from the typical format of stanzas, listing highlights in the narrator's life from 1996 through 2013. "The Black Dogs" (p. 54) is a dark allegory on undocumented immigrants. "Before I Paint" (p. 60) offers a highly morbid turn on an artist meeting the model.

I'll admit that at least four out of a little more than fifty poems eluded my grasp, and that would amount to my only critique. A number of these poems have appeared in prior publications; among these are two additional favorites of mine "Their Reign Ends" (p. 49) -- this is told from the perspective of the species that survives the next K/T extinction-level event. "Chatty Skeletons" (p. 71) -- this describes the Xicano observance of the Day of the Dead… from the perspective of the dead!
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